What little I know about writing transitions

Yesterday evening I spent a lot of time hammering out some new lead lines for various sections of my jazz arranging project. This is probably the longest piece of music I've ever written, so I'm finding it a bit difficult to keep my eyes on the big picture; instead, I'm discovering I have a tendency to "chunk" things too much, such that each successive section of the piece follows right after the one before it with very little transitional material.

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Everything I know

This semester in jazz arranging, I'm learning the basics of big band writing; in fact, the primary project for the whole semester is a single big band chart. The project is broken down logically into smaller assignments by chorus: for example, one week I might have to bring in the lead line for the head chorus, and the next week I'd follow it up with the melody for my sax soli. I like the approach; I think my brain is hard-wired to think of complex wholes in terms of small building blocks.

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Better performance please

Over the last few months I've been pretty dissatisfied with the performance of this blog. Not only were page load times sometimes upwards of 10 seconds, but occasionally my swap usage would max out and crash the server, requiring a hard reboot. And it's a blog, for crying out loud—nothing this simple should ever flat-out crash a server, even if it's only got 256MB of RAM.

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Of practice recordings and data storage

Those who know me well know that I really, really hate to throw away data. I have all kinds of stuff sitting around on my home server, some of it dating all the way back to middle school, and most of it of very little interest to anyone today (even me). Well, the other day I stumbled across something that was sort of interesting: trombone practice recordings I'd made early on in college.

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